LUCIAN FREUD "THE NEW YORKER" ETCHING, 2006 Jenny Holzer Toronto her subjects' gaze is usually

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LUCIAN FREUD "THE NEW YORKER" ETCHING, 2006 Jenny Holzer Toronto her subjects' gaze is usually her subjects' gaze is usually directed towards the viewer His sculptures deepening the intrigue and complexity of his printmaking "The New Yorker" offers a pared back example of the artist's signature aesthetic

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